Ugandan rapper Mun G has broken his silence regarding the ongoing efforts to amend Uganda’s Copyright Law, a movement that continues to stir conversation within the creative industry. The campaign, primarily driven by the Uganda National Musicians Federation (UNMF) under the leadership of Eddy Kenzo, seeks to modernize and enforce copyright protections to ensure that musicians earn sustainable incomes beyond live performances.
For nearly two years now, the UNMF has been lobbying the government to pass amendments that would see artists benefit from their intellectual property through royalties—especially for airplay on radio, TV, and digital platforms. While this move has been welcomed by many, it has also faced skepticism and limited understanding among some artists, including Mun G.
“I sidelined myself from groups like UNMF and UMA because there wasn’t enough awareness. But copyright is something I’m definitely watching closely,” Mun G shared in a recent interview.
The "Byayanga" hitmaker clarified that although he hasn’t actively joined any federation, his eyes are on the developments surrounding copyright reforms. He acknowledged that, if implemented with transparency and efficiency, the new law could reshape the industry.
“Copyright is extremely important—if how we imagine it is how it’s implemented. Being able to get your royalties without shows is really important, but how is it going to be delivered?” he questioned.
Mun G’s sentiments resonate with many Ugandan creatives who continue to face challenges when it comes to reaping the financial benefits of their work. Piracy, lack of digital rights management, and exploitation by media houses have long plagued the sector. While UNMF’s push is seen as a positive step forward, Mun G cautions that legislation alone isn't enough.
“It’s a broad concept, so we need to know how it’s going to be executed,” he emphasized, calling for more education and inclusivity for artists who are not part of the federation.
Currently, Uganda lacks a fully functional system to collect and distribute royalties to musicians, something that has hindered professional growth and investment in the arts. The amendment to the Copyright and Neighbouring Rights Act is expected to introduce a clear structure for the collection of royalties and the protection of artists’ content in the digital age.
Kelele UG understands that among the key proposed changes are:
- Establishment of a stronger Collective Management Organization (CMO) to monitor and collect royalties.
- Better enforcement of intellectual property rights.
- Inclusion of digital distribution platforms in royalty systems.
As artists like Mun G continue to advocate for transparency and real results, it’s becoming clear that awareness, artist empowerment, and honest leadership will be critical if Uganda is to benefit from a thriving music industry.
